re-sound

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quiet on the bridge



Available from move records
Catalogue number: MD3317

This is re-sound's fourth CD release. As with the group's previous recordings, this CD combines a range of contemporary styles and approaches, including electronic and electro-acoustic music, contemporary chamber and interactive computer music, indeterminate (open) works and improvisation. Most of the tracks were not only performed but also created by re-sound members, reflecting the strong composer-performer overlap of the group. In addition, two guests, Russell Goodwin and Nick Wilson, have contributed their pieces to this CD. Finally, re-sound's interpretation of Keith Humble's In Five (module of Nunique) returns to the improvisatory music of the '60s.

Disc Contents:
Time Sliding - Thomas Reiner
Kappa - Melanie Chilianis
Quiet on the Bridge - Brea Acton
Existence Part 1 - Nick Wilson
In Five (module of Nunique) - Keith Humble
Ellipsis - Paul Moulatlet
Dawn - Thomas Reiner
Desert Factory - Melanie Chilianis, Thomas Reiner, Paul Todd
Sweet Flute - Katrina Dowling and Thomas Reiner
Pirate Door - Melanie Chilianis
Transference - Russell Goodwin

ephemeral densities

Available from Move Records
Catalogue Number: MD3295

ephemeral densities is re-sound's third CD.  It focuses on new Australian work by re-sound members Steve Adam, Melanie Chilianis, Paul Moulatlet, and Thomas Reiner.  All but one of these works were presented in March 2004 to a capacity audience at Pony, a night club in Melbourne's inner city district.  The idea for the event was to integrate contemporary chamber music, computer music and popular electronic music.  The audience feedback on this performance that re-sound received encouraged the group to create this recording.

Disc Contents:
canal (Steve Adam and Thomas Reiner)
quintet/sextet for chamber group & CD (Thomas Reiner)
breath stain (Melanie Chilianis)
HybriD (Steve Adam)
aerofoil (Thomas Reiner)
Vectors (Paul Moulatlet)
ephemeral densities (Thomas Reiner)


canal mp3
breath stain mp3
Vectors mp3
ephemeral densities
mp3


In C
re-sound: In-C

In C
Available from
Move Records
Catalogue Number: MD3262

"exhilarating ... unique and totally innovative." (Chris Copas, The Star)
"slick and sassy, an In C for our times." (Andrew Ford, 24 Hours)
"extraordinary ... hypnotic" (John Barns, 3MBS FM Libretto )
"an excellent presentation of Riley's composition ... The clarity of the recording is another factor in the high standard of this performance ... with the listener held in a trance of this beautiful sound." (Elizabeth Scarlett, Artstreams)

This recording is the outcome of seven years of engagement with Terry Riley's In C. It was back in 1996 that the Australian contemporary music group
re-sound gave its first performance of this classic composition of minimalist music. Since then, the group has experimented with a number of performance approaches to the work, which eventually led to the electroacoustic version that is documented on this CD.

With its innovative combination of electronica dance rhythms and beats, pre-recorded sequences, electric bass and guitar and an acoustic chamber ensemble,
re-sound's engagement with In C has been a journey – not just for the musicians but also for the group's audiences.

Whether Terry Riley himself might feel that this recording stretches the limits of interpretation or whether he indeed welcomes the acquaintance with popular electronic music, he has nonetheless provided through this work an exciting and genuinely mind-expanding musical experience - an experience that this recording endeavours to prolong.

Need an audio preview? We have TWO samples to whet your appetite:


Part Five, mp3
Part Nine, mp3

Disc Contents:
Part One
Part Two
Part Three
Part Four
Part Five
Part Six
Part Seven
Part Eight
Part Nine
Part Ten
Part Eleven


re-sound
 

Available from Move Records
Catalogue Number: MCD255

re-sound's first and self titled CD features chamber works by 20th-century composers John Cage, Brendan Colbert, Paul Moulatlet, Ken Murray, Thomas Reiner, and Harvey Sollberger. Eight tracks make up the CD's sonic journey through the music of our time – a journey that explores new sound worlds and challenges traditional views of what constitutes music. The CD is not for "easy listening" and yet it has an immediate appeal through its uncompromising directness and its sensuality of sound. This music does not require intellectual deliberation to be appreciated, nor does a listener have to be musically educated to be attracted by the wide range of sound colours and unusual musical forms this CD has to offer.

The first and most substantial work is SEVEN by the American experimentalist composer John Cage. SEVEN is one of Cage's late works, and it is a slow-moving, almost static, sonic meditation for seven chamber instruments. The second work is one of the six Australian works featured on the CD: Brendan Colbert's Agite for flute. This fast, agitated, and energetic solo piece is performed with audible enthusiasm by Melanie Chilianis.

The group's artistic director, Thomas Reiner, wrote the third track, Septet, for
re-sound. The work is characterised by harsh dissonances and highly irregular rhythms. Ken Murray, the group's guitarist, is the composer and performer of the CD's second of three solo pieces: Bash. It uses range of popular and classical playing techniques to deliver colourful and dynamic textures and gestures. Spiel, another work by Brendan Colbert, is scored for flute, violin and guitar. The piece integrates the three instruments into an intricate web of ever-changing sounds. Harvey Sollberger's duet Sunflowers suggests warmth and elegance through a subtle dialogue between flute (doubling on alto flute) and vibraphone. This is followed by a highly expressive and at times almost fragile work: Paul Moulatlet's Chamber Work #2.

The last piece on the CD, Thomas Reiner's Grace Notes for clarinet solo, is possibly the CD's most radical track. It combines silences, short and soft gestures, and sustained sounds that seem to take on a life of their own. In addition to being a unique recording in its own right, this CD is also a sonic documentation of the work
re-sound has done during the years 1996 to 1999.

Disc Contents:
SEVEN (John Cage)
Agite (Brendan Colbert)
Septet (Thomas Reiner)
Bash (Ken Murray)
Spiel (Brendan Colbert)
Sunflowers (Harvey Sollberger)
Chamber Work #2 (Paul Moulatlet)
Grace Notes (Thomas Reiner)


other cds featuring re-sound artists
 

hard chamber

Available from Move Records
Catalogue Number: MD3280

A retrospective collection of chamber works by leading Melbourne contemporary composer, Thomas Reiner. Features soloists from Monash University and the ensemble re-sound.

"As the title suggests, the music on this CD is not for easy listening ... if there were such a thing as a perfect listening strategy for my compositions, then it would have to be one that avoids traditional expectations of what constitutes music and instead encourages the sort of mindful and unconditioned listening that allows for the enjoyment of sounds and sound structures in their own right." (Thomas Reiner on Hard Chamber).


conversations

Available from Move Records
Catalogue Number: MD3289

Conversations is a collaborative electroacoustic work by Steve Adam, Philip Czaplowski, Robin Fox, Russell Goodwin, Peter Myers, and Thomas Reiner.  In addition to re-sound composers Adam and Reiner, the recording also includes re-sound performer Paul Todd on Bb and Eb clarinets.

 

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re-sound contemporary music group
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